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Radio World
(January 2013):
Dont U Make These Mistake's
Pro communicators have no excuse for sloppy spelling and bad grammar
Working in radio, a non-visual
medium, does not give us license to trash the written English
language.
After all, we’re supposed to
be professional communicators, right? We radio folks may find it
easier to hide our misspellings, grammatical and punctuation errors
behind a microphone; but sooner or later they’re bound to be a
source of embarrassment.
I was an English major in
college, aspiring to be a teacher. I ended up in advertising — go
figure.
Mind you, I’m not complaining.
Advertising and marketing involve a great deal of reading and
writing, consulting and coaching. So it’s not all that far removed
from teaching. I just work in a different kind of classroom.
Reason I mention the English
major thing is because I’m going to climb up on my soapbox and rant
a bit.
Read more. . .
Radio Ink
(October 2012):
Paul
Harvey, Will Rogers, And Me
ROYWILLIAMS
THE WIZARD OF ADS
It’s unlikely you’ve ever heard of
Will Rogers unless you grew up, as
I did, in Oklahoma. Will was a famous
storyteller, comedic actor, columnist, and
radio personality in the 1920s and ’30s.
He and Paul Harvey are Oklahoma’s two
great claims to fame.
Will was once asked to speak to
a business club. “Sure,” he told his
host. “When do you need me?”
“Next Tuesday,” was the man’s
response.
“How long do you want me to talk?”
asked Rogers.
“About five minutes.”
“Five minutes!” exclaimed Rogers. “It
would take me at least two weeks to
prepare a five-minute speech!”
Surprised, the man said, “If a
five-minute speech takes two weeks, how
long would it take you to prepare to speak
for an hour?”
Rogers replied, “Hell, I’m ready to
speak for an hour right now.”
Long ads push softly. Short ads hit
hard. Will Rogers knew it. Paul Harvey
knew it. And now you know it, too.
The radio ads of
Paul Harvey were the stuff of legend. They always produced big
results. Right now you might be thinking to yourself, “Well, of
course they worked! Everyone always listened whenever Paul
Harvey had the mic.” But why did they listen?
Read more. . .
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Press
Release
(August 2012):
Local Supermarket Wins
Marketing Award
MINNEAPOLIS (August 23, 2012) - The Northern and Western region of
SUPERVALU, INC (NYSE: SVU) today announced its 2012 Master Marketer
winners.
The Master Marketer
competition annually rewards SUPERVALU-affiliated grocers in a
variety of categories for their advertising initiatives, community
programs, in-store promotions and sales events. More than 300
nominations were submitted by retailers in the company’s Northern
and Western region, which serves retail locations in Alaska,
California, Idaho, Indiana, Iowa, Kentucky, Michigan, Minnesota,
Montana, North Dakota, Ohio, Oregon, South Dakota, Washington, West
Virginia, western Wisconsin, Wyoming, and Guam.
DISSMORE’S IGA, Pullman,
Washington (store owners, Archie McGregor III and Brian McGregor)
had two of the three finalists in the Radio Spots category (stores
larger than 30,000 square feet), with commercials for their Deli and
Bakery departments. The Bakery spot was chosen as the overall winner
in its category. Both commercials were written and produced by
Rod Schwartz of FirstStrike Advertising for Pullman radio
stations KQQQ NewsTalk 1150 and HitRadio 104.3. According to
Dissmore’s IGA Store Manager Trev McCuaig, “A big thank you to our
Dissmore’s team and to Supervalu! I would also like to thank all our
customers that shop Dissmore’s for their business. And thank you to
Rod Schwartz for his professionalism and witty way of making radio
advertising fun for us here at Dissmore’s.”
Read more. . .
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Radio World
(May 2012):
Schwartz, Upbeat About Radio Sales
Scoffs at Claims that Radio as We Know
It Is ‘On Its Way Out’
FROM THE
EDITOR
BY PAUL MCLANE
Radio Sales Café is
celebrating its third anniversary this
month. I emailed with Rod Schwartz, its
owner and creative director, about the
service and issues facing radio
salespeople.

Rod, you launched the website
radiosalescafe.com three years ago. Assess
its success to date.
Radio Sales Café
continues to attract new members on a
daily basis. To date, more than 2,700
radio advertising sales professionals have
become part of this community, exchanging
ideas, answering sales questions, sharing
their own solutions to challenging sales
problems they’ve faced, and just helping
one another to become better at what we
do.
What’s the general mood among
radio sales folks these days?
Well, on the basis of what I
observe in the exchanges that take place
regularly at RSC, I’d have to say that
people seem pretty upbeat generally. Even
when a discussion centers on a problem
someone is facing with a particular
client, say, the responses from other
members are always helpful and
encouraging, which in turn gives the person
who came looking for help a renewed optimism
and energy to move forward. Sales
can be a difficult business at times. The
support and encouragement that accompany
the practical advice people share with one
another tend to foster an esprit
d’corps that is most enjoyable and
satisfying to witness.
Read more. . .
Copyright 2012 NewBay Media (USA), LLC. Reprinted with permission.
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Radio And Production
(February 2012):
Rod Schwartz
Account Executive
KHTR-FM/KQQQ-AM
&
Owner
Grace Broadcast Sales/
Radio Sales Café
Pullman, WA
by Jerry Vigil
Yes, you read his title correctly. Rod Schwartz is an Account
Executive, a salesman, being interviewed for a production magazine.
But wait… he’s not your ordinary salesman. Rod knows a few things
about what we do, too, particularly when it comes to what makes
radio advertising work for his clients. And he’s been making those
ads work for 33 years at the same stations in the small market of
Pullman, Washington. But his story doesn’t stop there. Along the
way, Rod established Grace Broadcast Sales, a family run company
servicing radio with syndicated “sales booster” programs as well as
creative services. And more recently, he launched the fast-growing
Radio Sales Café, a social website for radio salespeople.
You’ll find some great stories and lots
of worthwhile information in this two-part interview. Check this
month’s RAP CD for some excellent commercial work from Rod, and
don’t miss the rest of the interview in next month’s RAP.
JV: Tell
us about your start in radio.
Rod: In January of 1973 I backed into what has become a
lifelong career in radio advertising. I answered a classified ad in
the newspaper for a sales job at WFMB in Springfield, Illinois, and
it was there I think I learned my first conscious lesson about
selling, and that was the value of persistence, because at the time,
FM was still the weak sister and AM was the powerhouse across the
board. FM really didn’t come into its own until sometime later in
the ’70s, at least as perceived by advertisers as having value. So
we were the country FM.
Here I was, 20
years old, sporting an afro and wearing my father’s old suit to
apply for this job -- I was out of college and things were different
in the early ’70s. They politely listened to me, interviewed me,
considered my story and told me they’d get back to me. When I hadn’t
heard back from them after a few days, I called them and said, “Have
you decided what you want to do about me?” They said, “No, we’re
still interviewing people and we’ll let you know.”
Read more. . .
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Radio And Production
(March 2012):
Rod Schwartz
Account Executive
KHTR-FM/KQQQ-AM
&
Owner
Grace Broadcast Sales/
Radio Sales Café
Pullman, WA
Part 2
by Jerry Vigil
We wrap up our interview with
Rod this month, and
like we said last month, his title above is correct. Rod
Schwartz is an Account Executive, a salesman, being interviewed
for a production magazine. But he’s not your
ordinary salesman. Rod knows a few things about what
we do, too, particularly when it comes to what makes radio
advertising work for his clients. And he’s been making
those ads work for 33 years at the same stations in
the small market of Pullman, Washington. But his story
doesn’t stop there. Along the way, Rod established Grace
Broadcast Sales, a company servicing radio with syndicated
“sales booster” programs as well as creative services.
And more recently, he launched the fast-growing
Radio Sales Café, a social website for radio salespeople
You’ll find even more great stories and worthwhile
information in the conclusion of this two-part interview.
You can check last month’s RAP CD for some excellent
commercial work from Rod with extra notes on the spots
from Rod on the February CD page at rapmag.com (click
on Back Issues).
JV: When you’re writing a spot,
how do you know when the copy is
done? When do you stop writing?
Rod: Oh, I don’t think I ever stop
writing. In fact, I’ve had ads that end up
on the air, and then I hear something I
don’t like and I’ll go in and I’ll tweak
it a little bit then send the replacement
over and say, “Overwrite what we’re
running now with this.” But there comes
a point where, let’s say, you’re 90-some
percent convinced that the ad is ready
to go, so you pull the trigger and away
you go.
JV: Are there some conditions
that must be met with each script before
you’ll send them out or certain
things it must contain?
Rod: No. What I’m looking for is
an effect. There’s no template that I use
for writing other than recognizing that
I have to be able to capture and hold a
listener’s fleeting attention, amidst all
the distractions of a person’s life, for
the duration of that commercial, and
hopefully engage the listener to such an
extent that he or she will remember that
message in a meaningful way. So, what
Roy [Williams] calls the “first mental
image” or what Chris [Lytle] or maybe
Dan O’Day would call the “headline for
the ad,” the opening statement, that’s
important.
Read more. . .
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The Small Market Radio
Newsletter
(May 9, 2011):
20 Years of Service
The year was 1991. A radio
seller and sales manager was about to take the leap of faith
familiar to all business owners.
For years, Rod Schwartz had
been enjoying success selling his clients the services of Jim
Shepler’s radio campaigns at Broadcast
General Company–first as a salesman in Winona, MN, and then as a
sales manager in Pullman, WA. But in 1990, Jim Shepler died,
and Broadcast General Company closed its
doors.
Rod told Shepler’s heirs that
he was interested in continuing the business and ended up acquiring
its assets. As a result, Grace Broadcast
Sales was born.

Rod
recalls, “For months I’d been pondering whether or not this was
something I should do, praying for divine guidance. The answer came,
unexpectedly and dramatically, in the form of two cardboard
boxes—filled with floppy discs and manila folders
containing Jim Shepler’s scripts, mailing lists, flyers—left on my
porch by the UPS deliveryman. No invoice. No correspondence.
Not even a return address! Now you know why the business is called
‘Grace’ Broadcast Sales.”
Read more. . .
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The Small
Market Radio Newsletter
(May 20, 2010):
ONE = 1,200. What began as a novel idea
has become a runaway success: Radio Sales Café celebrates its first
anniversary with over 1,200 members around the world. Last year,
Grace Broadcast Sales, a provider of syndicated radio features,
advertising and creative services to radio stations and radio
advertisers, launched an online
networking site specifically for radio advertising sales
professionals. Today, www.RadioSalesCafe.com boasts members
from across the United States, Canada, the UK, Australia, New
Zealand, South Africa, India, and other places around the world. RSC
creator and administrator Rebecca Schwartz says, “When we first
designed this site, we envisioned it as a place where members of the
radio advertising sales community could meet with each other to
discuss local trends in sales and marketing, share ideas for
increasing ad sales, ask questions, address problems, and brainstorm
for solutions. And that is exactly what has happened over the last
twelve months.”
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Hot Points
(February 15, 2010):
WOULD YOU RATHER HEAR ABOUT IT--OR LIVE IT?
I'd heard it maybe a dozen times, and it was getting me
peeved.
This radio spot for a local supermarket chain, where the air
personality keeps talking about how the advertiser is
"Focused on your shopping experience."
On a clinical level, that makes sense.
Selling the customer an experience is a valid sales
approach.
Here's the problem: one must actually DESCRIBE the
experience.SHOW it. The listener must LIVE IT in the
imagination.
DON'T TELL ME I'LL HAVE AN EXPERIENCE--SHOW THE EXPERIENCE!
This commercial I'm hearing over and over never actually
says anything about
the experience they claim.
They just keep telling me I'm going to have it.
Let's say that (a) someone's trying to sell you a delicious
steak and (b) you're not a vegan.
All they ever tell you is you're going to have "an
incredible eating experience."
Who cares? There's no emotional charge in an "eating
experience."
Now, if they start telling you about how thick the steak is,
how juicy, how it's fork-tender USDA Prime Angus rib eye
that arrives at your table, sizzling on a cast iron skillet
spattering little golden dots of hot garlic butter all over
your fresh white shirt--well, they're probably on to
something, assuming you like steak more than groats and
tofu.
But if all they tell you is, "This is one incredible steak."
So what?
STEAK IS A DEAD PIECE OF MEAT--SIZZLE IS EXPERIENCE
Contrast the "dead meat" approach to copywriting with a
commercial recently sent to me by the legendary Rod Schwartz
in The Palouse.
Read more. . .
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